Associate Professor David Deutsch earned his Ph.D. at the Ohio State University in 2011, having previously earned his M. A. and B. A. from the University of Georgia. He joined the Department of English at the University of Alabama in 2011. His research has been supported by an Institute of Historical Research Mellon Fellowship. He is currently at work on a monograph for USC Press' Understanding series (anticipated 2018) as part of a new project on post-WWII queer American fiction. His previous work has been on British literature of the early twentieth century. Presently, he is also the director for the UA in Oxford study abroad program: http://oxford.ua.edu/.
British Literature and Classical Music: Cultural Contexts, 1870-1945. London: Bloomsbury Academic, 2015. Paperback edition forthcoming in 2017.
Articles and Essays
“Jim Grimsley’s Boulevard and Queer New Orleans Flâneuries.” LIT 28.4 (forthcoming).
"Robust Bodies and Social Souls: Reassessing Ronald Firbank’s Effeminate Queer Men." Studies in the Novel 47.4 (2015): 469-90.
"Virginia Woolf, Katharine Burdekin, and Britain's Cosmopolitan Musical Culture." Virginia Woolf Writing the World. Clemson University Press, 2015.
"To 'Ennoble and Fortify': Pater's Oxonian Musical Ideal." The Pater Newsletter 65 (2015): 5-25.
"Art and Imperfection: Zola's L'Oeuvre." AJFS 52.1 (2015): 73-86.
"The Pianola in Early Twentieth-Century British Literature: 'Really it is a wonderful machine.'" ELT 58.1 ( 2015): 73-90.
"Introduction to Beverley Nichols' Crazy Pavements." Crazy Pavements. Kansas City: Valancourt Books, 2013. v-x.
"Reconnecting Music to Howards End." LIT 21.3 (2010): 163-86.
“Early Modernist Travel Writing and Travel Fiction.” English Literature in Transition 59.3 (2016): 413-17. (Review of Robert Burden’s Travel, Modernism and Modernity).